When Creon threatens to execute Antigone in front of his son, Haemon leaves, vowing never to see Creon again. So, for Antigone not to bury her brother is not to give him rest.
Their fate wills them to destruction. She hesitates to bury Polyneices because she fears Creon. Creonthe new ruler of Thebes and brother of the former Queen Jocasta, has decided that Eteocles will be honored and Polyneices will be in public shame. She is reasonable and understands her place, bowing to Creon's edict and attempting to dissuade Antigone from her act of rebellion.
Since he is a citizen of Thebes, it would have been natural for the Thebans to bury him. Here, the chorus is composed of old men who are largely unwilling to see civil disobedience in a positive light. He too refuses the happiness that Creon offers him and follows Antigone to a tragic demise.
Creon, furious, orders the sentry to find the culprit or face death himself. When Creon arrived at Antigone's cave, he found Haemon lamenting over Antigone, who had hanged herself.
Antigone and the Chorus discuss the curse that has been placed on her family. The sentry declares his intention to leave Thebes forever, and flees. Her dialogues with Ismene reveal her to be as stubborn as her uncle. With her last breath, she cursed her husband.
This contrasts with the other Athenian tragedians, who reference Olympus often. Finally, we can say that another theme is pride.
In short, things are messy, like in real life. Scene 5, line 92 Both his stubbornness and his power broke down and we saw the real Creon.
Zeus is referenced a total of 13 times by name in the entire play, and Apollo is referenced only as a personification of prophecy. Creon enters, carrying Haemon's body. In the prologue, he casts a menacing shadow: The sentry leaves, and the chorus sings about honouring the gods, but after a short absence, he returns, bringing Antigone with him.
Natural law and contemporary legal institutions[ edit ] In Antigone, Sophocles asks the question, which law is greater: He pleads with Creon to listen to reason and that citizens of Thebes are secretly discussing the unfairness of his law.
The terrible calamities that overtake Creon are not the result of his exalting the law of the state over the unwritten and divine law which Antigone vindicates, but are his intemperance which led him to disregard the warnings of Tiresias until it was too late.
Creon demands obedience to the law above all else, right or wrong. He can also be seen as a tragic hero, losing everything for upholding what he believed was right. She argues unflinchingly with Creon about the immorality of the edict and the morality of her actions.
Man is deinon in the sense that he is the terrible, violent one, and also in the sense that he uses violence against the overpowering.
Society - Antigone fights the establishment in order to expose an unjust law an ancient appeal to Natural Rights. The messenger reports that Creon saw to the burial of Polyneices.
The leader of the chorus, terrified, asks Creon to take Tiresias' advice to free Antigone and bury Polyneices. Not only is she battling Creon, who decrees Polyneices should not be buried, she battles the social customs of the time that assumed women were the weaker gender and, therefore, unfit for politics.
By not killing her directly, he hopes to pay the minimal respects to the gods. When Antigone opposes Creon, her suffering the uncanny, is her supreme action.
When Creon comes to release Antigone from the cave in which she has been entombed, he finds that she has hanged herself and that Haemon is embracing her suspended body.
In her arms, Antigone superstitiously invests the Nurse with the power to ward off evil and keep her safe. This is his sin, and it is this which leads to his punishment.
Person - Antigone battles Creon, insomuch that he represents the state. Haemon appears twice in the play. He commits hubris through his violent misuse of his temporal power; he too has a duty to bury the dead, and his unjust condemnation of Antigone to death is murder of a near relative, although he changes her sentence from stoning to burial alive to avoid the formal pollution that would accompany such a deed.
Upon the death of Oedipus the King, his sons Eteocles and Polyneices are to rule in alternating years.A summary of Antigone, lines 1– in Sophocles's The Oedipus Plays. Learn exactly what happened in this chapter, scene, or section of The Oedipus Plays and what it means.
Perfect for acing essays, tests, and quizzes, as well as for writing lesson plans. Character Analysis of Antigone Antigone is an award winning play by Sophocles, one of the three best Greek dramatists of all willeyshandmadecandy.comne is a mythical princess of Thebes.
She is the product of the accidental incestuous marriage between King Oedipus and Jocasta, whom is Oedipus’ mother as well.
Jun 03, · Sophocles' Antigone character analysis (only main characters) This feature is not available right now.
Please try again later. Antigone, the tragic hero who defies Creon in order to give her brother a proper burial. Creon, a tyrant who abuses his power and loses his family. Haemon, Creon's son, who commits suicide at the. Antigone (/ æ n ˈ t ɪ ɡ ə n i / ann-TIG-ə-nee; Ancient Greek: Ἀντιγόνη) is a tragedy by Sophocles written in or before BC.
Of the three Theban plays Antigone is the third in order of the events depicted in the plays, but it is the first that was written. The play expands on the Theban legend that predates it, and it picks up where Aeschylus' Seven Against Thebes ends. Sophocles presents us with a high standard of moral courage and character in his play Antigone.
Among the many thematic questions raised, Sophocles pursues in depth the issue of whether it is best to obey the law or to follow one's conscience.Download